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The Row Small Bags and Crossbody Styles: A Full Overview

The Row is most widely recognised for generously scaled, unshowy leather holdalls and holdalls, though it is in the tiniest pieces that the design argument is easiest to unpick. Nothing rescues a small format: on a crossbody or a clutch the proportions must be right, the closure must work cleanly, and the leather has to hold the object on its own. What you get below is a row bags overview of the small end of the line, which covers crossbody styles, compact shoulder bags, pouches and clutches. All figures are observed 2026 market prices gathered in September of that year, not an official price list, as the brand publishes no such thing. Made in Italy is stated only where the brand’s own product page confirms it, never where it is merely assumed. Bags only, with ready-to-wear and footwear left out of the frame.

What Counts as a Small Bag in This Line

No exterior logo plaque and no monogram print feature on The Row bags, so a small piece is identified by silhouette, proportion and construction and nothing else. There is a discreet exterior stamp placed low on the side where it blends into the leather, and a second stamp inside. The hardware is palladium-plated, matte or brushed, and makes its case through weight and precision instead of shine. Linings are treated as luxury materials in their own right: nappa, lambskin, calfskin and cotton herringbone appear where other houses print logo jacquard. You can ignore those decisions on a large tote; on a clutch the size of a paperback there is nothing else to look at. That is why the small pieces form the clearest introduction to what the label does with leather.

• No exterior plaques, nor branded hardware, no monogram print
• Identified on silhouette, proportion and construction
• One discreet stamp outside and a second inside
• Matte or brushed palladium-plated hardware
• Interior linings of nappa, lambskin, calfskin or cotton herringbone

Within the Crossbody Group

Crossbody styles constitute the most practical corner the row purse of the collection and, on observed 2026 prices, one of its most accessible. The group spans roughly $1,290 to $2,550, placing its floor below almost every top-handle style the brand makes. Naming follows the house convention of orientation prefixes, so N/S and E/W separate upright versions from wide ones within a single idea. Part of the Park family sits here, because that family comprises the N/S Park Tote, the Park Tote, the Park Tote Three, the XL Park Tote and the N/S Park Crossbody. You get calfskin in smooth, grained and saddle finishes, with palladium-plated fittings across the board. None of them display visible branding, and that is why they are bought as daily bags rather than occasion pieces.

N/S Park Crossbody, Rene Crossbody

The N/S Park Crossbody was observed at $1,290 and is the smallest way into the Park family without buying a tote. It shares the family’s flat, unstructured logic, shrunk to something worn against the body rather than carried in the hand. If you already own a The Row tote bag from that line, the construction language will be familiar, at a fraction of the volume. The Rene Crossbody was observed at $1,350, which sits just above it. The pair lands inside the entry band the collection keeps at its lowest end, roughly $590 to $1,500. If you are choosing a first row bag, this pair is the point at which the smallest outlay meets the fullest expression of the house style.

Izzy, Annie and the Large Slouchy Banana

The Izzy exists in several orientations, with the E/W Izzy observed at $2,300 and the N/S Izzy at $2,490, alongside a Small Izzy shoulder version at $2,100. Between the entry crossbodies and the Izzy group lies the N/S Annie Crossbody, observed at $1,950. At an observed $2,550, the Large Slouchy Banana is confirmed Made in Italy on the brand’s own product page. When checked, the page listed waitlist availability rather than open stock, a normal state of affairs for the label. The upper half of the crossbody range is held by these three lines, and structure and leather weight rise noticeably there. Cross-shopping tends to put them against small shoulder bags rather than against one another.

Small Shoulder Bags: Half Moon and the 90’s Bag

That two of the four signature models work at this small scale says a great deal about how seriously the label treats the format. The Half Moon was noted at an observed $1,390, with a leather variant at $1,690 at a stockist; it is confirmed Made in Italy. Published dimensions are 8 x 13.5 x 2.5 inches, but sources do not agree on the exact figures, so read that as the official figure rather than a settled measurement. The 90’s Bag was observed at $1,090 and is the least expensive of the four signatures, with a 90’s Shoulder version at $1,450. Curve and drape, not hardware, supply both of them their identity. The two of them amount to the cheapest honest entry into the top row bags on silhouette rather than category.

The Clutches, Pouches and Evening Bags

Construction detail is most visible in the clutch group, and the Bourse Clutch is the clearest example of it. Observed at $1,590 and confirmed Made in Italy, it combines a calfskin exterior with a nappa lining, a hinged frame closure, a hidden adjustable shoulder strap and dimensions of 10.2 x 6.5 x 2.3 inches. Higher up, the Peggy Clutch was observed at $2,900 and the Dalia Baguette at $2,700; the Squared Compact Clutch came in level with the Half Moon at $1,390. Evening formats climb further, with the CC Minaudiere at $2,780 and the Long CC Minaudiere at $3,800. Terrasse To-Go, observed at $1,950, is a further Made in Italy piece that straddles clutch and small bag. Below everything else sit the pouches and small leather goods, with the Ray Pouch at $950 and $1,100, the Travel Pouch at $990, Sally at $1,000, the Cecily Mini Tote at $950, the Mini Barn Tote at $1,200 and the Double Travel Wallet at $590.

Observed 2026 Market Prices Side by Side

For comparison, the table lays out all the figures above in one place. Each number is an observed 2026 market price; none of it comes from a published official price list, because the brand issues none. The brand’s own site and retailer listings can diverge, and currency, season and stock all move the figure. If a row carries two prices, that is either two versions or two sizes observed at the same time. Read it as a snapshot of where each piece sat relative to the others, and not as a quotation. The relative ordering has proved steadier over time than the absolute numbers.

How the Small Bags Perform on Resale

Take the resale figures as observed market behaviour and not as investment advice — context, rather than a reason to buy. Brand-level value retention came to 97% in the Rebag CLAIR 2025 report, a first entry into that report’s unicorn tier of 85% and above, behind only Telfar, Hermes and Goyard. That report logged the Half Moon shoulder at 106% retention. The same report gave 146% for the N/S Park Tote and 107% for the Margaux Tote, which allows a comparison across formats. In a separate reading, the 90’s Bag is the riser of the group: eBay search volume was reported up around 55% year over year as of April 2025. The pattern is uneven. Canvas, nylon, sisal and seasonal colours discount on the secondary market, and it is black and neutral calfskin in the signature silhouettes that does the work.

Looking After One

No brand-issued care protocol exists, so what follows is material-appropriate general guidance. Do not overfill a small bag, since the shape does the identifying work and a stretched gusset undoes it. Keep the leather away from direct sunlight, heat and rain, and store the piece in its dust bag lightly stuffed so it holds form. Calfskin and grained finishes respond to buffing with a soft dry cloth, with neutral conditioner used sparingly. Because nappa and lambskin mark easily, use a dry cloth and stay away from over-conditioning. On suede, a suede brush and nothing else: no cream, no wet wipes, no soap, no water-based cleaner, while raffia, canvas and silk or satin versions spot-clean but are the least serviceable of all.